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27 September 2010
Utopia and Constant Filter reviews
Got some nice reviews from various places for some of my compositions.
Of Tom Kerstens' CD Gramophone said ..."Metcalfe's superb 'The Third Five' a triptych for solo guitar and digital delay, and the sombre, elegiac 'As She Fell', this is music that for the most part eschews complicated musical development in favour of hypnotic cascades of sound and visceral, rhythmically vibrant accretions. "
Classic FM magazine commented " John Metcalfe's music, particularly The Third Fire for guitar and digital delay, is more mainstream classical - modal harmonies and syncopated rhythms lend a Spanish/latin feel: Albeniz or Villa-Lobos scattered by a dazzling, 21st-century prism."
For 'Constant Filter' the Independent gave it 4 stars and commented ...
Using computerised octave-splitters and delay units, Barley achieves a surprising depth of sound and harmonic richness, particularly on the title-track, where echoing wisps of electronic sound flutter around the cello like butterflies; Lonely Bay, on which the concentration necessitated by using a 40-second loop imposes a deep meditative calm; and The Appearance of Colour, where the slow accretion, note by note, of a single 25-note chord produces an imposing serenity."
Of Tom Kerstens' CD Gramophone said ..."Metcalfe's superb 'The Third Five' a triptych for solo guitar and digital delay, and the sombre, elegiac 'As She Fell', this is music that for the most part eschews complicated musical development in favour of hypnotic cascades of sound and visceral, rhythmically vibrant accretions. "
Classic FM magazine commented " John Metcalfe's music, particularly The Third Fire for guitar and digital delay, is more mainstream classical - modal harmonies and syncopated rhythms lend a Spanish/latin feel: Albeniz or Villa-Lobos scattered by a dazzling, 21st-century prism."
For 'Constant Filter' the Independent gave it 4 stars and commented ...
Using computerised octave-splitters and delay units, Barley achieves a surprising depth of sound and harmonic richness, particularly on the title-track, where echoing wisps of electronic sound flutter around the cello like butterflies; Lonely Bay, on which the concentration necessitated by using a 40-second loop imposes a deep meditative calm; and The Appearance of Colour, where the slow accretion, note by note, of a single 25-note chord produces an imposing serenity."
Labels: Constant_Filter
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